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Locating project studios and studio projects

Slater, Mark

Authors

Dr Mark Slater M.Slater@hull.ac.uk
Senior Lecturer in Music and Subject Group Head (Music)

Abstract

Via a longitudinal case study of a studio project (Middlewood Sessions, 2004–12), this research explores processes of music-making in the increasingly prevalent context of the project studio to give an insight into contemporary music-making practices. Predicated upon technologies of decreasing size but increasing processing power, project studios represent a diversification of musical creativity in terms of the persons and locations of music production. Increasingly mobile technologies lead to increasingly mobile practices of music production, which presents a challenge to the seemingly simple question: where is the project studio? In response, I propose an ontology of project-studio music-making that sets out what conditions have to be met for location, as an active proposition, to take place.

Journal Article Type Article
Publication Date May 20, 2016
Journal Journal of the Royal Musical Association
Print ISSN 0269-0403
Electronic ISSN 1471-6933
Publisher Taylor & Francis (Routledge)
Peer Reviewed Peer Reviewed
Volume 141
Issue 1
Pages 167-202
Institution Citation Slater, M. (2016). Locating project studios and studio projects. Journal of the Royal Musical Association, 141(1), 167-202. https://doi.org/10.1080/02690403.2016.1151241
DOI https://doi.org/10.1080/02690403.2016.1151241
Keywords Music
Publisher URL http://www.tandfonline.com/doi/full/10.1080/02690403.2016.1151241
Copyright Statement ©2017 University of Hull
Additional Information This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of the Royal Musical Association on 20/05/2016, available online: http://wwww.tandfonline...0/02690403.2016.1151241

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