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Poetry in process: The compositional practices of D.H. Lawrence, Dylan Thomas and Philip Larkin

Davies, Alexandra Mary

Authors

Alexandra Mary Davies



Contributors

James, 1945 Booth
Supervisor

Abstract

Philip Larkin used the image of Winston Smith's blank notebook in George Orwell's 1984 to illustrate the excitement experienced by the writer faced with an as yet unwritten text. He explains that:

the books the past has given us are printed; they are magnificent, but they are finite. Only the blank book, the manuscript book, may be the book we shall give the future. Its potentialities are endless.

This study of 'poetry in process' will compare the 'compositional practices' of three twentieth century poets in order to come closer to understanding the means by which poems are written. One conclusion which is perhaps inevitable from such a comparative study as this is that there is not a single approach to writing a poem. Each poet has idiosyncratic habits.

Citation

Davies, A. M. Poetry in process: The compositional practices of D.H. Lawrence, Dylan Thomas and Philip Larkin. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4208917

Thesis Type Thesis
Deposit Date Aug 15, 2011
Publicly Available Date Feb 22, 2023
Keywords English
Public URL https://hull-repository.worktribe.com/output/4208917
Additional Information Department of English, The University of Hull
Award Date Jan 1, 2008

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Copyright Statement
© 2008 Davies, Alexandra Mary. All rights reserved. No part of this publication may be reproduced without the written permission of the copyright holder.




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