Dr Ed Brookes E.Brookes@hull.ac.uk
Research Fellow
Throughout history marking the home has often been used to convey urgent information about the ‘health’ of its inhabitants. These strategies frequently target the door or entrance to the household, as it presents a porous boundary between public and private spheres. This chapter engages with several historical examples that examine how the door has been marked during periods of ‘death’ and ‘disease’ in order to prevent further spread of contagion. Specifically, it explores the use of the Plague Cross during the Great Plague of London in 1665, which became a means to regulate the movement of the infected. This is compared with modern-day forms of inscribing the door and how ‘Plague Markings’ have re-emerged in the wake of the COVID-19 pandemic. The discussion considers that while these forms of inscription often serve valuable public health functions, they are also embroiled in a distinct politics of regulation. In many cases, marking sites of ‘contamination’ facilitates the categorisation of the ‘Other’ which defines who and what is able to enter society. Inscribing the door thus becomes an act of ‘the powerful’, signalling who is able to exert control over the body and the threshold.
Brookes, E. (2023). Plague Markings: Doors and Disease. Cultural History, 12(2), 145-167. https://doi.org/10.3366/cult.2023.0285
Journal Article Type | Article |
---|---|
Acceptance Date | Sep 5, 2023 |
Online Publication Date | Oct 30, 2023 |
Publication Date | Oct 30, 2023 |
Deposit Date | Jan 16, 2024 |
Publicly Available Date | Jan 17, 2024 |
Journal | Cultural History |
Print ISSN | 2045-290X |
Electronic ISSN | 2045-2918 |
Publisher | Edinburgh University Press |
Peer Reviewed | Peer Reviewed |
Volume | 12 |
Issue | 2 |
Pages | 145-167 |
DOI | https://doi.org/10.3366/cult.2023.0285 |
Keywords | Doors; Intimate architectures; Plague markings; Disease; Public health |
Public URL | https://hull-repository.worktribe.com/output/4518402 |
Accepted manuscript
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Copyright Statement
This is an Accepted Manuscript of an article published by Edinburgh University Press in Cultural History. The Version of Record is available online at: https://www.euppublishing.com/doi/10.3366/cult.2023.0285.
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