Style and the improvised in Keith Jarrett's solo concerts

Elsdon, Peter

Abstract

This article outlines an approach to analysing Keith Jarrett's solo improvisations. I explore an approach based on topical theory, suggesting that Jarrett seems to employ a range of recognisable styles as a means of creating formal architecture. Using the 1973 Solo Concerts recording as an example, I examine three styles: ballad style, folk ballad style, and blues vamp style. I consider how Jarrett employs styles in certain configurations, resulting in specific kinds of expressive effects. I also explore how in transgressing these patterns Jarrett is able to convey the notion of risk, in a context in which the spectacle of improvisation comes very much to the fore.

Citation

Elsdon, P. (2008). Style and the improvised in Keith Jarrett's solo concerts. Jazz Perspectives, 2(1), 51-67. https://doi.org/10.1080/17494060801949000

• Journal Article Type: Article
• Publication Date: 2008-05
• Deposit Date: Nov 13, 2014
• Journal: Jazz Perspectives
• Print ISSN: 1749-4060
• Publisher: Routledge
• Peer Reviewed: Peer Reviewed
• Volume: 2
• Issue: 1
• Pages: 51-67
• DOI: https://doi.org/10.1080/17494060801949000
• Keywords: Keith Jarrett; Improvisation; Solo concerts
• Public URL: https://hull-repository.worktribe.com/output/464487
• Publisher URL: https://www.tandfonline.com/doi/abs/10.1080/17494060801949000