Colette Conroy
The ‘Not Knowns’: memory, narrative and applied theatre
Conroy, Colette; Dickenson, Sarah Jane; Mazzoni, Giuliana
Authors
Dr Sarah Jane Dickenson S.J.Dickenson@hull.ac.uk
Reader/ Head of Department English, Creative Writing & American Studies
Giuliana Mazzoni
Abstract
© 2017 Informa UK Limited, trading as Taylor & Francis Group This is an attempt to articulate and explore the relationship between the science of memory and the applied theatre project, The Not Knowns. The project was a collaboration between theatre practitioners and a psychologist who worked together with a group of young people known, problematically, as the ‘not knowns’ throughout 2014. For applied theatre practitioners, notions of veracity are crucial, if complex, and go far beyond the practice of ‘giving voice’ to marginalised groups and people. Applied Theatre projects which work with participant autobiographies take on the responsibility of articulating the perspective as one of many possible truths, observing conventions which sustain a truth claim, but leaving this open for questioning. In this essay, the project collaborators examine the implications of the notion of memory as adaptable and malleable, as a factor in stasis or change, and as a story that may and must be re-told and re-remembered in an act of self-sustaining performativity.
Citation
Conroy, C., Dickenson, S. J., & Mazzoni, G. (2018). The ‘Not Knowns’: memory, narrative and applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23(1), 56-72. https://doi.org/10.1080/13569783.2017.1398641
Journal Article Type | Article |
---|---|
Acceptance Date | Oct 24, 2017 |
Online Publication Date | Nov 16, 2017 |
Publication Date | 2018 |
Deposit Date | Dec 7, 2017 |
Publicly Available Date | May 17, 2019 |
Journal | Research in Drama Education: The Journal of Applied Theatre and Performance |
Print ISSN | 1356-9783 |
Electronic ISSN | 1470-112X |
Publisher | Taylor & Francis (Routledge) |
Peer Reviewed | Peer Reviewed |
Volume | 23 |
Issue | 1 |
Pages | 56-72 |
DOI | https://doi.org/10.1080/13569783.2017.1398641 |
Keywords | Literature and Literary Theory; Education; Visual Arts and Performing Arts |
Public URL | https://hull-repository.worktribe.com/output/481829 |
Publisher URL | https://www.tandfonline.com/doi/full/10.1080/13569783.2017.1398641 |
Additional Information | Peer Review Statement: The publishing and review policy for this title is described in its Aims & Scope.; Aim & Scope: http://www.tandfonline.com/action/journalInformation?show=aimsScope&journalCode=crde20 |
Files
Article
(207 Kb)
PDF
You might also like
After Cyclops: appropriating the chorus of Euripides when scriptwriting for applied drama
(2011)
Journal Article
Practice as Research project Not Yet: Memory, The loss of Biography and the Fall of The Berlin Wall. (2009 - )
(-0001)
Exhibition / Performance
Practice as Research project: That Berlin Moment: Memory, Imagination and the Playwright
(-0001)
Exhibition / Performance
Practice as Research: Can't Be Arsed: Autobiographical Memory and the Creation of an Adapted Script for Stage and Screen.
(-0001)
Exhibition / Performance