Masters of Reality: The (De)construction of Reality in the Production of Metal Music

Thomas, Niall

Abstract

This chapter explores the (de)construction of reality within contemporary metal music production, focusing on doom metal and metalcore. These subgenres demonstrate varied production approaches, influencing how production relates to the compositional language of metal music. The chapter examines the presentation of space through instrument placement and how drum kit and guitar production inform performative and compositional strategies. It contrasts metalcore’s use of hyperreal production to achieve precise and articulate sounds with doom metal’s nostalgic methods that emphasize performance atmosphere and real-space recording. By analyzing these contrasting approaches, the chapter highlights the evolving relationship between technology, production, and composition in metal music.

Citation

Thomas, N. (in press). Masters of Reality: The (De)construction of Reality in the Production of Metal Music. In L. Burns, & C. Scotto (Eds.), The Routledge Handbook to Metal Music Composition : Evolution of Structure, Expression, and Production. Routledge

• Deposit Date: Nov 18, 2024
• Publisher: Routledge
• Peer Reviewed: Peer Reviewed
• Series Title: Routledge Music Handbooks
• Book Title: The Routledge Handbook to Metal Music Composition : Evolution of Structure, Expression, and Production
• Chapter Number: 24
• ISBN: 9781032407203
• Public URL: https://hull-repository.worktribe.com/output/4869842
• Publisher URL: https://www.routledge.com/The-Routledge-Handbook-to-Metal-Music-Composition-Evolution-of-Structure-Expression-and-Production/Burns-Scotto/p/book/9781032407203
• Contract Date: Aug 30, 2024