Rehearsing Shakespeare : embodiment, collaboration, risk and play
(2012)
Journal Article
Billing, C. M. (2012). Rehearsing Shakespeare : embodiment, collaboration, risk and play. Shakespeare bulletin, 30(4), 383-410. https://doi.org/10.1353/shb.2012.0072
All Outputs (13)
Rehearsing Shakespeare: Alternative strategies in process and performance - Edited and introduction (2012)
Journal Article
Billing, C. (2012). Rehearsing Shakespeare: Alternative strategies in process and performance - Edited and introduction. Shakespeare bulletin, 30(4), 383 - 410. https://doi.org/10.1353/shb.2012.0072
Somatic sensibilities: Exploring the dialectical body in dance (2012)
Journal Article
Edinborough, C. (2012). Somatic sensibilities: Exploring the dialectical body in dance. Journal of Dance and Somatic Practices, 4(2), 257-266. https://doi.org/10.1386/jdsp.4.2.257_1
Freaks and not freaks: theatre and the making of crip identity (2012)
Journal Article
Conroy, C. (2012). Freaks and not freaks: theatre and the making of crip identity. Lambda Nordica, 17(1-2), 168 - 193ON SOME LEVEL it seems obvious that some disabled actors will want to explore the history of freak show performances. To replicate a performance form that neither performer nor audience have experienced has the frisson of an historical re-enactment.... Read More about Freaks and not freaks: theatre and the making of crip identity.
Launching a structuralist assembly: convening the scattered structures (2012)
Journal Article
Drabek, P. (2012). Launching a structuralist assembly: convening the scattered structures. Theatralia, 15(2), 13 - 23A study on the historical and political contexts of Prague Structuralism and the habilitation of Roman Jakobson in Brno.
John Russell Brown: studying Shakespeare in performance (2012)
Journal Article
Drábek, P., & Drabek, P. (2012). John Russell Brown: studying Shakespeare in performance. Theatralia, 15(2), 194 - 196A critical review of John Russell Brown's Studying Shakespeare in Performance (2011) with contextual links to Brown's other critical works.
The Routledge companion to actors' Shakespeare (2012)
Journal Article
Drábek, P., & Drabek, P. (2012). The Routledge companion to actors' Shakespeare. Theatralia, 15(2), 196 - 199A critical review of The Routledge Companion to Actors' Shakespeare (2012, ed. John Russell Brown) reflecting the methodology of writing about acting.
Alice Dubská: the travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries (2012)
Journal Article
Drabek, P. (2012). Alice Dubská: the travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries. Theatralia, 15(2), 206 - 207A critical review of Alice Dubská's monograph on the marionettist family Brát/Pratte (2012), who were active in Central and Northern Europe from the late 18th to the mid-19th centuries.
Jirí Adámek: Théâtre musical. Divadlo poutané hudbou (Jirí Adámek: Théâtre musical. Theatre bound by music) (2012)
Journal Article
Drabek, P. (2012). Jirí Adámek: Théâtre musical. Divadlo poutané hudbou (Jirí Adámek: Théâtre musical. Theatre bound by music). Opus musicum, 44(4), 108 - 110A critical reflection of Jirí Adámek's book with a polemic on the conception of music theatre, namely the role of the human individual in it.
Form and spontaneity: training for improvisation in football and theatre (2012)
Journal Article
Edinborough, C. (2012). Form and spontaneity: training for improvisation in football and theatre. Theatre, Dance and Performance Training, 3(2), 199-207. https://doi.org/10.1080/19443927.2012.686448This article explores the relationships between training approaches within football and improvised theatre. Drawing on the writings of Victor Turner, the article examines the liminoid nature of football and theatre, arguing that the formalised constr... Read More about Form and spontaneity: training for improvisation in football and theatre.
Michael D. Bristol ed., Shakespeare and Moral Agency. Shakespeare Continuum Studies. London: Continuum Books, 2010 (2012)
Journal Article
Drabek, P. (2012). Michael D. Bristol ed., Shakespeare and Moral Agency. Shakespeare Continuum Studies. London: Continuum Books, 2010. Shakespeare Jahrbuch, 148, 243 - 244A book review of Michael D. Bristol's (ed.) book on Shakespeare and Moral Agency. The volume deals predominantly with moral issues in Shakespeare in connection with moral philosophy.
A Štestena, ta povstalecká devka, se na nej zubila: shakespearovské preklady Milana Lukeše" (And fortune on his damned quarry smiling, shew'd like a rebells whore": Milan Lukeš's Translations of Shakespeare) (2012)
Journal Article
Drabek, P. (2012). A Štestena, ta povstalecká devka, se na nej zubila: shakespearovské preklady Milana Lukeše" (And fortune on his damned quarry smiling, shew'd like a rebells whore": Milan Lukeš's Translations of Shakespeare). Theatralia, 15(1), 48 - 64A critical analysis of Milan Lukeš's (1933-2007) translations of Shakespeare with a special view of his Macbeth and King Lear. The article develops the concepts of "translator's style", "translation opportunities", "reversions", "cacophony" and "expr... Read More about A Štestena, ta povstalecká devka, se na nej zubila: shakespearovské preklady Milana Lukeše" (And fortune on his damned quarry smiling, shew'd like a rebells whore": Milan Lukeš's Translations of Shakespeare).
Comparative time series analysis of perceptual responses to electroacoustic music (2012)
Journal Article
Bailes, F., & Dean, R. T. (2012). Comparative time series analysis of perceptual responses to electroacoustic music. Music Perception, 29(4), 359-375. https://doi.org/10.1525/mp.2012.29.4.359This study investigates the relationship between acoustic patterns in contemporary electroacoustic compositions, and listeners’ real-time perceptions of their structure and affective content. Thirty-two participants varying in musical expertise (nonm... Read More about Comparative time series analysis of perceptual responses to electroacoustic music.