Outputs (5)

Nightports at Hull Minster: Transporting a Site-Specific Musical Work Across Physical and Virtual Spaces (2024)
Presentation / Conference Contribution
Barnard, M., Martin, A., & Slater, M. (2024, July). Nightports at Hull Minster: Transporting a Site-Specific Musical Work Across Physical and Virtual Spaces. Presented at ICMC2024. Sound In Motion, Seoul

'Nightports at Hull Minster' is a musical project that harnesses spatialisation techniques to present music composed of the sounds of Hull Minster, UK, in both the location itself and alternative performance spaces, whilst still expressing the spatia... Read More about Nightports at Hull Minster: Transporting a Site-Specific Musical Work Across Physical and Virtual Spaces.

Quickbeam (2024)
Digital Artefact
Oliver, R. (2024). Quickbeam. [Digital Audio]

A 45-minute studio album exploring the concept of groove in various musical genres.

Liner notes:
Having built years of music industry experience collaborating with a wide range of artists, Rowan Oliver’s ‘Quickbeam’ LP represents the first solo r... Read More about Quickbeam.

Burning Boat (2024)
Digital Artefact
Oliver, R. (2024). Burning Boat. [Digital Audio]

'Burning Boat' is the lead single from Rowan Oliver's 'Quickbeam' album.

Having built years of music industry experience collaborating with a wide range of artists, Rowan’s forthcoming album represents the first solo release by this versatile musi... Read More about Burning Boat.

Being There - XR Performance at PQ23 (2024)
Journal Article
Fergusson-Baugh, C. (2024). Being There - XR Performance at PQ23. Theatre and performance design, 10(1-2), https://doi.org/10.1080/23322551.2024.2343602

This article presents a personal, critical reflection on the XR work presented at PQ23 that explores virtual aesthetics, emergent cognitive paradigms and their impact on the art-function of performance. The discussion considers the impact and potenti... Read More about Being There - XR Performance at PQ23.

Playing, viewing, touching, modelling, mentalizing: theoretical reflections on PQ 2023 (2024)
Journal Article
Drábek, P. (2024). Playing, viewing, touching, modelling, mentalizing: theoretical reflections on PQ 2023. Theatre and performance design, 10(1-2), 88-104. https://doi.org/10.1080/23322551.2024.2334614

Artefacts exhibited at PQ 2023 challenge our disciplinary heritage in several ways: What is scenography now? How does it engage the viewer/spectator/participant? How does it change our conceptions of theatre, performance, and scenography? How should... Read More about Playing, viewing, touching, modelling, mentalizing: theoretical reflections on PQ 2023.