Outputs (28)

Review of ‘Reading Interpretation: Case Studies in Solo Piano Performance’ by Julian Hellaby (Farnham: Ashgate, 2009) (2011)
Journal Article
King, E. (2011). Review of ‘Reading Interpretation: Case Studies in Solo Piano Performance’ by Julian Hellaby (Farnham: Ashgate, 2009). Music and Letters, 92(1), 163-165. https://doi.org/10.1093/ml/gcq093

Supporting gestures: Breathing in piano performance (2006)
Book Chapter
King, E. (2006). Supporting gestures: Breathing in piano performance. In A. Gritten, & E. King (Eds.), Music and Gesture (142-164). Ashgate. https://doi.org/10.4324/9781315091006

Existing research provides valuable insight into the importance of breathing for music performers and its function in supporting instrumentalists. The study of pianists’ breathing is perhaps a less obvious choice of subject than breathing by singers... Read More about Supporting gestures: Breathing in piano performance.

The roles of student musicians in quartet rehearsals (2006)
Journal Article
King, E. C. (2006). The roles of student musicians in quartet rehearsals. Psychology of music, 34(2), 262-282. https://doi.org/10.1177/0305735606061855

This study focuses on collaboration between student musicians in a wind quartet, saxophone quartet and string quartet. Devised as an explorative investigation using observation and interview methods, the roles of student musicians are defined within... Read More about The roles of student musicians in quartet rehearsals.

Strategies of ensemble practice (2004)
Book Chapter
King, E., & Davidson, J. (2004). Strategies of ensemble practice. In A. Williamon (Ed.), Musical Excellence: Strategies and Techniques to Enhance Performance (105-22). Oxford University Press

Review of ‘Ways of the Hand: A Rewritten Account’ by David Sudnow (Cambridge, Massachusetts: The MIT Press, 2001) (2003)
Journal Article
King, E. (2003). Review of ‘Ways of the Hand: A Rewritten Account’ by David Sudnow (Cambridge, Massachusetts: The MIT Press, 2001). Music Analysis, 22(3), 367-373. https://doi.org/10.1111/j.0262-5245.2003.00190.x

Ensemble Performance (2002)
Book Chapter
King, E. (2002). Ensemble Performance. In J. Rink (Ed.), Musical Performance: A Guide to Understanding (153-167). Cambridge University Press. https://doi.org/10.1017/CBO9780511811739.012

Ensemble performance involves musical and social interaction between a group of performers. The term ‘ensemble’ derives from the French for ‘together’, and it defines the seemingly infinite array of musical performances involving more than one person... Read More about Ensemble Performance.

Review of ‘Musical Performance: A Philosophical Study’ by Stan Godlovitch (London: Routledge, 1998) (2000)
Journal Article
King, E. (2000). Review of ‘Musical Performance: A Philosophical Study’ by Stan Godlovitch (London: Routledge, 1998). Music and Letters, 81(1), 74-76. https://doi.org/10.1093/ml/81.1.74

Music and familiarity: listening, musicology and performance
Book
King, E., & Prior, H. Music and familiarity: listening, musicology and performance. The University of Hull

Familiarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, ‘Listening', addresses familiarity as it relates... Read More about Music and familiarity: listening, musicology and performance.