Dr Rowan Oliver R.A.Oliver@hull.ac.uk
Lecturer in Music & Director of Music
Dr Rowan Oliver R.A.Oliver@hull.ac.uk
Lecturer in Music & Director of Music
Josephine Metcalf
Editor
Carina Spaulding
Editor
Oliver, R. (2015). Breakbeat syncretism: The drum sample in African American popular music. In J. Metcalf, & C. Spaulding (Eds.), African American Culture and Society After Rodney King: Provocations and Protests, Progression and 'Post-Racialism' (177-192). Abingdon, Oxon: Ashgate
Publication Date | 2015 |
---|---|
Deposit Date | May 22, 2019 |
Publisher | Ashgate |
Pages | 177-192 |
Book Title | African American Culture and Society After Rodney King: Provocations and Protests, Progression and 'Post-Racialism' |
Chapter Number | 9 |
ISBN | 9781472455406; 9781472455390 |
Public URL | https://hull-repository.worktribe.com/output/1829181 |
Groove as Familiarity with Time
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In dub conference : empathy, groove and technology in Jamaican popular music
(2017)
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Bring that Beat Back: Sampling as Virtual Collaboration
(2016)
Book Chapter
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