Dr Matthew Crofts M.Crofts@hull.ac.uk
Academic & Library Specialist
Dr Matthew Crofts M.Crofts@hull.ac.uk
Academic & Library Specialist
Janine Hatter
Ruth Heholt
Editor
Melissa Edmundson
Editor
Rats are inherently Gothic animals—uncannily intelligent, cannibalistic, constantly present, often unseen but constantly watching. As a single entity, or as part of a pack, the rat is a powerful vehicle for delivering horror in the popular Gothic imagination. In this essay, Crofts and Hatter examine how the social commentary showcased in James Herbert’s The Rats (1974) has its roots in the treatment of rats in the Victorian popular press. This rhetoric is rearticulated into Gothic fiction in Bram Stoker’s ‘The Judge’s House’ (1891), ‘The Burial of Rats’ (1914), and Dracula (1897), demonstrating that the rat is not mere background vermin but a potent signifier of past crimes and repression. Rats in these texts produce a sustained commentary on society’s failings as they act as signposts to the poverty society wilfully ignores, undertaking a vital role in exposing, not causing, the horrors of deprivation.
Crofts, M., & Hatter, J. (2020). “Rats is bogies I tell you, and bogies is rats”: Rats, repression and the Gothic mode. In R. Heholt, & M. Edmundson (Eds.), Gothic animals: Uncanny otherness and the animal with-out (127-140). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-34540-2_8
Online Publication Date | Dec 11, 2019 |
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Publication Date | Jan 2, 2020 |
Deposit Date | Jul 2, 2019 |
Publicly Available Date | Dec 12, 2021 |
Publisher | Palgrave Macmillan |
Pages | 127-140 |
Series Title | Palgrave Studies in Animals and Literature |
Series ISSN | 2634-6338 ; 2634-6346 |
Book Title | Gothic animals: Uncanny otherness and the animal with-out |
Chapter Number | 8 |
ISBN | 9783030345396 ; 9783030345426 |
DOI | https://doi.org/10.1007/978-3-030-34540-2_8 |
Public URL | https://hull-repository.worktribe.com/output/2096390 |
Contract Date | Apr 4, 2019 |
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