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Familiarity, schemata and patterns of listening

Prior, Helen

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Abstract

The origins of this work, as in much research, lie in a personal experience. My first exposure to a selection of Schoenberg’s piano works (which happened to be through a recording) had resulted in an ambivalent response, but upon hearing the same recording some months later for a second time, I found the experience more enjoyable and the music much easier to understand. Perhaps this was to be expected, but I was curious: what was it about the second listening that made it so much easier than the first? What was it that let me access the music in a manner akin to other piano music, and experience emotional responses to it, when I had not been able to do either of these things the first time? There may have been many situational factors, but becoming familiar with the music almost certainly played a role in this transformation.

Publication Date Jun 28, 2013
Journal Music and familiarity: listening, musicology and performance
Publisher Taylor & Francis (Routledge)
Peer Reviewed Not Peer Reviewed
Book Title Music and familiarity: listening, musicology and performance
Chapter Number 2
ISBN 978-1-40942-075-0
APA6 Citation Prior, H. (2013). Familiarity, schemata and patterns of listening. In E. King, & H. M. Prior (Eds.), Music and familiarity: listening, musicology and performanceTaylor & Francis (Routledge)
Publisher URL https://www.taylorfrancis.com/books/9781317092537/chapters/10.4324/9781315596600-11