All Outputs (140)

Musical shaping gestures: Considerations about terminology and methodology (2013)
Journal Article
King, E. (2013). Musical shaping gestures: Considerations about terminology and methodology. Empirical Musicology Review, 8(1), 68-81. https://doi.org/10.18061/emr.v8i1.3925

Fulford and Ginsborg’s investigation into non-verbal communication during music rehearsal-talk between performers with and without hearing impairments extends existing research in the field of gesture studies by contributing significantly to our unde... Read More about Musical shaping gestures: Considerations about terminology and methodology.

Re-imagining improvisation: listening, discourse and aesthetics (2013)
Other
Elsdon, P. (2013). Re-imagining improvisation: listening, discourse and aesthetics

Groove as Familiarity with Time (2013)
Book Chapter
Oliver, R. (2013). Groove as Familiarity with Time. In E. King, & H. M. Prior (Eds.), Music and Familiarity : Listening, Musicology and Performance (239 - 252). Ashgate. https://doi.org/10.4324/9781315596600

The chapter explores the instrumentalist’s relationship with musical time, arguing that the capacity for groove in solo performance depends upon the musician’s familiarity with stylistically nuanced conceptions of pulse. Much research dealing with gr... Read More about Groove as Familiarity with Time.

Familiarity, schemata and patterns of listening (2013)
Book Chapter
Prior, H. (2013). Familiarity, schemata and patterns of listening. In E. King, & H. M. Prior (Eds.), Music and familiarity: listening, musicology and performance. Routledge

The origins of this work, as in much research, lie in a personal experience. My first exposure to a selection of Schoenberg’s piano works (which happened to be through a recording) had resulted in an ambivalent response, but upon hearing the same rec... Read More about Familiarity, schemata and patterns of listening.

Social familiarity: styles of interaction in chamber ensemble rehearsal (2013)
Book Chapter
King, E. (2013). Social familiarity: styles of interaction in chamber ensemble rehearsal. In Music and familiarity: listening, musicology and performance (253 - 270). Ashgate

When two or more musicians first play together in a music ensemble, they begin a process of familiarization as they get to know each other both musically and socially. There is a complex network of issues to consider in this process as ensemble music... Read More about Social familiarity: styles of interaction in chamber ensemble rehearsal.

Keith Jarrett's The Köln Concert (2013)
Book
Elsdon, P. (2013). Keith Jarrett's The Köln Concert. Oxford University Press (OUP). https://doi.org/10.1093/acprof%3Aosobl/9780199779253.001.0001

Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His Köln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the... Read More about Keith Jarrett's The Köln Concert.

The Student Prince: Music-making with technology (2012)
Book Chapter
King, A. (2012). The Student Prince: Music-making with technology. In G. E. McPherson, & G. F. Welch (Eds.), The Oxford Handbook of Music Education (476 - 491). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199928019.013.0031

This article examines recording studio practice in education. It begins by tracing the historical background of music-making with technology and providing an overview of how technology is used in the music curriculum. It then discusses the key relati... Read More about The Student Prince: Music-making with technology.

Music and fantasy types in Tim Burton's Edward Scissorhands (2012)
Book Chapter
Binns, A. (2012). Music and fantasy types in Tim Burton's Edward Scissorhands. In The music of fantasy cinema (132 - 147). Equinox Press

Review of The Practice of Practising edited by Alessandro Cervion, Catherine Laws, Maria Lettberg and Tania Lisboa. ORCiM, 2011. (2012)
Journal Article
King, E. (2012). Review of The Practice of Practising edited by Alessandro Cervion, Catherine Laws, Maria Lettberg and Tania Lisboa. ORCiM, 2011. British Journal of Music Education, 29(3), 435-440. https://doi.org/10.1017/S0265051712000344

A conceptual foundation for understanding musico-technological creativity (2012)
Journal Article
Slater, M., & Martin, A. (2012). A conceptual foundation for understanding musico-technological creativity. Journal of Music, Technology and Education, 5(1), 59-76. https://doi.org/10.1386/jmte.5.1.59_1

The point of departure for this article is the observation that increasing numbers of people are using technologies to create music. This rise in activity correlates directly with the proliferation of increasingly miniaturized music technologies whic... Read More about A conceptual foundation for understanding musico-technological creativity.

Rehearsal talk: Familiarity and expertise in singer-pianist duos (2012)
Journal Article
Ginsborg, J., & King, E. (2012). Rehearsal talk: Familiarity and expertise in singer-pianist duos. Musicae Scientiae, 16(2), 148-167. https://doi.org/10.1177/1029864911435733

The cognitive and social processes underlying musical and social collaboration were explored in a small-scale study of two professional and two student singer-pianist duos. Each of the eight participants rehearsed one song with his or her regular par... Read More about Rehearsal talk: Familiarity and expertise in singer-pianist duos.

Ports EP (Middlewood Records MWR1201) (2012)
Digital Artefact
Slater, M. (2012). Ports EP (Middlewood Records MWR1201)

Studio production, digital release; 13 mins.

The new urban politics as a politics of carbon control (2011)
Journal Article
Jonas, A. E., Gibbs, D., & While, A. (2011). The new urban politics as a politics of carbon control. Urban studies, 48(12), 2537-2554. https://doi.org/10.1177/0042098011411951

The new urban politics (NUP) literature has helped to draw attention to a new generation of entrepreneurial urban regimes involved in the competition to attract investment to cities. Interurban competition often had negative environmental consequence... Read More about The new urban politics as a politics of carbon control.

Timbre and non-radical didacticism in the Streets' A grand don't come for free: a poetic-ecological model (2011)
Journal Article
Slater, M. (2011). Timbre and non-radical didacticism in the Streets' A grand don't come for free: a poetic-ecological model. Music Analysis, 30(2-3), 360-395. https://doi.org/10.1111/j.1468-2249.2011.00317.x

This article investigates the status and function of timbre by proposing a poetic-ecological model, which seeks to encapsulate the intersections between and applications of three theoretical territories: poetics, ecological theory and spectromorpholo... Read More about Timbre and non-radical didacticism in the Streets' A grand don't come for free: a poetic-ecological model.

The serious mental illness health improvement profile [HIP]: study protocol for a cluster randomised controlled trial (2011)
Journal Article
White, J., Gray, R. J., Swift, L., Barton, G. R., & Jones, M. (2011). The serious mental illness health improvement profile [HIP]: study protocol for a cluster randomised controlled trial. Trials, 12(167), https://doi.org/10.1186/1745-6215-12-167

Background: The serious mental illness Health Improvement Profile [HIP] is a brief pragmatic tool, which enables mental health nurses to work together with patients to screen physical health and take evidence-based action when variables are identifie... Read More about The serious mental illness health improvement profile [HIP]: study protocol for a cluster randomised controlled trial.

Gestures and glances: interactions in ensemble rehearsal (2011)
Book Chapter
Ginsborg, J., & King, E. (2011). Gestures and glances: interactions in ensemble rehearsal. In A. Gritten, & E. King (Eds.), New perspectives on music and gesture (177-202). Ashgate

Performers use physical gestures in numerous ways. They can be used to communicate musical expression, generate sound production, facilitate technical movements while playing or singing, regulate temporal aspects of performance, and provide musical a... Read More about Gestures and glances: interactions in ensemble rehearsal.

New perspectives on music and gesture (2011)
Book
Gritten, A., & King, E. (Eds.). (2011). New perspectives on music and gesture. Ashgate. https://doi.org/10.4324/9781315598048

© Anthony Gritten, Elaine King and the Contributors 2011. All rights reserved. Building on the insights of the first volume on Music and Gesture (Gritten and King, Ashgate 2006), the rationale for this sequel volume is twofold: first, to clarify the... Read More about New perspectives on music and gesture.

Review of ‘Reading Interpretation: Case Studies in Solo Piano Performance’ by Julian Hellaby (Farnham: Ashgate, 2009) (2011)
Journal Article
King, E. (2011). Review of ‘Reading Interpretation: Case Studies in Solo Piano Performance’ by Julian Hellaby (Farnham: Ashgate, 2009). Music and Letters, 92(1), 163-165. https://doi.org/10.1093/ml/gcq093

Looking and listening : music and sound as visual trope in Ukiyo-e (2011)
Book Chapter
Binns, A. (2011). Looking and listening : music and sound as visual trope in Ukiyo-e. In T. Shephard, & A. Leonard (Eds.), The Routledge Companion to Music and Visual Culture (120-126). Routledge. https://doi.org/10.4324/9780203629987

The word ukiyo-e comes from a combination of “Ukiyo” , which means “floating world,” and “e” , which means picture or image. So, ukiyo-e offer both a description of the world of Edo (present-day Tokyo)—in particular the pleasures, foods, daily life,... Read More about Looking and listening : music and sound as visual trope in Ukiyo-e.

Listeners' perceptual and emotional responses to tonal and atonal music (2010)
Journal Article
Prior, H. (2011). Listeners' perceptual and emotional responses to tonal and atonal music. Psychology of music, 39(4), 468-502. https://doi.org/10.1177/0305735610378182

Research in music and emotion has largely focused on responses to tonal music on isolated occasions. This article presents a novel approach to the study of music and emotion that investigates the effects of familiarity on listeners' responses to tona... Read More about Listeners' perceptual and emotional responses to tonal and atonal music.