Dr Elaine King E.C.King@hull.ac.uk
Reader
The Roles of Music in Effecting Change: Considerations about Public Policy
King, Elaine C.
Authors
Abstract
The aim of this article is to consider questions, issues, and debates about music in public policy, a topic that featured in the final session of the Musics, Selves and Societies workshop at the University of Cambridge in June 2018. The first part of this article provides a backdrop by defining key terminology and describing the political environment in relation to music, specifically in the UK. It deciphers the scope of the Department for Digital, Culture, Media and Sport (DCMS) alongside public, professional, and charitable bodies as well as learned societies. The second part highlights three main areas of focus that were identified in the final session of the workshop: considerations about the value of music; considerations about the meaning of music; and considerations about policy-making. Each of these areas are discussed in turn before final remarks are put forward about steps for managing change.
Citation
King, E. C. (2020). The Roles of Music in Effecting Change: Considerations about Public Policy. Music and Science, 3, https://doi.org/10.1177/2059204320937227
Journal Article Type | Article |
---|---|
Acceptance Date | Jun 1, 2020 |
Online Publication Date | Jul 8, 2020 |
Publication Date | 2020 |
Deposit Date | Jul 10, 2020 |
Publicly Available Date | Jul 10, 2020 |
Journal | Music and Science |
Print ISSN | 2059-2043 |
Peer Reviewed | Peer Reviewed |
Volume | 3 |
DOI | https://doi.org/10.1177/2059204320937227 |
Keywords | Meaning; Public policy; Value |
Public URL | https://hull-repository.worktribe.com/output/3538486 |
Publisher URL | https://journals.sagepub.com/doi/10.1177/2059204320937227 |
Files
Published article
(260 Kb)
PDF
Publisher Licence URL
http://creativecommons.org/licenses/by-nc/4.0
Copyright Statement
ª The Author 2020. https://creativecommons.org/licenses/by-nc/4.0/This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).
You might also like
Performers' Perspectives on "Feel" in Music
(2018)
Book Chapter
Dialogue and Beyond: Communication and Interaction in Ensemble Performance
(2017)
Book Chapter
The empathic nature of the piano accompanist
(2017)
Book Chapter
Downloadable Citations
About Repository@Hull
Administrator e-mail: repository@hull.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search