Dr Elaine King E.C.King@hull.ac.uk
Reader
Let's Play: Professional Performers' Perspectives on Play in Chamber Ensemble Rehearsal
King, Elaine; Todd, Rae
Authors
Rae Todd
Contributors
Mine Doğantan-Dack
Editor
Abstract
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehearsal and argues that play lies at the heart of it. The account begins with an interrogation of the concept of play and a distinction is made between “playing music” (that is, how the term play is ordinarily used in making music) and “play” (that is, the social and cultural activity that manifests in many contexts). Characteristics of play are identified according to existing research conceptualisations (e.g. Huizinga [1938] 2016; Karoff 2013; Eberle 2014; Henricks 2018). Within the domain of musicology, it is noted that previous studies on play and music performance focus on activity about scores and sounds (e.g. Stubley 1993; Reichling 1997; Csepregi 2013). To date, there is a lack of insight into music performers’ understandings of play as well as little emphasis on the way in which play is experienced among co-performers, such as in small ensembles. A novel empirical enquiry was undertaken to gather professional chamber performers’ perspectives on play through post-rehearsal reflections using video recall of live footage. The performers revealed nuanced understandings and experiences of play and highlighted “moments” of play as uniquely positive experiences. Play was vital in enabling the performers to “make the music their own”. These findings are cross-compared with existing research perspectives and the implications for performers and researchers discussed.
Citation
King, E., & Todd, R. (2022). Let's Play: Professional Performers' Perspectives on Play in Chamber Ensemble Rehearsal. In M. Doğantan-Dack (Ed.), The Chamber Musician in the Twenty-First Century (205-228). MDPI. https://doi.org/10.3390/books978-3-03897-563-2
Online Publication Date | Jul 7, 2022 |
---|---|
Publication Date | Jul 7, 2022 |
Deposit Date | Mar 11, 2022 |
Publicly Available Date | Jul 7, 2022 |
Publisher | MDPI |
Pages | 205-228 |
Book Title | The Chamber Musician in the Twenty-First Century |
ISBN | 9783038975625 |
DOI | https://doi.org/10.3390/books978-3-03897-563-2 |
Keywords | Play; Chamber musicians; Ensemble playing; Rehearsal; Music education |
Public URL | https://hull-repository.worktribe.com/output/3946119 |
Publisher URL | https://www.mdpi.com/books/pdfview/edition/5783 |
Contract Date | Feb 4, 2022 |
Files
Published chapter
(1.2 Mb)
PDF
Publisher Licence URL
http://creativecommons.org/licenses/by/4.0
Copyright Statement
© 2022 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).
You might also like
The Roles of Music in Effecting Change: Considerations about Public Policy
(2020)
Journal Article
Dialogue and Beyond: Communication and Interaction in Ensemble Performance
(2017)
Book Chapter
Viewing Empathy in Jazz Performance
(2017)
Book Chapter
Downloadable Citations
About Repository@Hull
Administrator e-mail: repository@hull.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search