Skip to main content

Research Repository

Advanced Search

Outputs (490)

A tempest : based on Shakespeare's The tempest ; adaptation for a black theatre / Aimé Césaire ; translated from the French by Philip Crispin (2002)
Book
(2002). A tempest : based on Shakespeare's The tempest ; adaptation for a black theatre / Aimé Césaire ; translated from the French by Philip Crispin (P. Crispin, Trans.). Oberon Books.

A witty and fiercely anti-colonialist revision of Shakespeare's island fling, Césaire turns it into a brilliant assertion of black identity. Prospero is an exiled tyrant, while Caliban becomes a mutinous figure who has clear affinities with Malcolm X... Read More about A tempest : based on Shakespeare's The tempest ; adaptation for a black theatre / Aimé Césaire ; translated from the French by Philip Crispin.

Ensemble Performance (2002)
Book Chapter
King, E. (2002). Ensemble Performance. In J. Rink (Ed.), Musical Performance: A Guide to Understanding (pp. 153-167). Cambridge University Press. https://doi.org/10.1017/CBO9780511811739.012

Ensemble performance involves musical and social interaction between a group of performers. The term ‘ensemble’ derives from the French for ‘together’, and it defines the seemingly infinite array of musical performances involving more than one person... Read More about Ensemble Performance.

Music and familiarity: listening, musicology and performance
Book
King, E., & Prior, H. (n.d.). Music and familiarity: listening, musicology and performance. The University of Hull.

Familiarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, ‘Listening', addresses familiarity as it relates... Read More about Music and familiarity: listening, musicology and performance.

Shakespeare and early modern music
Book Chapter
Wilson, C. (n.d.). Shakespeare and early modern music. The Edinburgh companion to Shakespeare and the arts. The University of Hull.

Musical time and eschatology
Book Chapter
Borthwick, A. (n.d.). Musical time and eschatology. Resonant witness: conversations between music and theology. The University of Hull.

Women intellectuals in post-68 France: petitions and polemics
Book
Long, I. (n.d.). Women intellectuals in post-68 France: petitions and polemics. The University of Hull.

Cultural and historical accounts of the public intellectual and French feminism have been remiss in their failure to recognise an important group of major women intellectuals in France. In particular, studies of French feminism and public intellectua... Read More about Women intellectuals in post-68 France: petitions and polemics.

Marie Darrieussecq's textual worlds: self, society, language
Book
Chadderton, H. (n.d.). Marie Darrieussecq's textual worlds: self, society, language. The University of Hull.

This is the first book-length study devoted to the work of the contemporary French author Marie Darrieussecq, one of France’s leading writers, whose work has proved fascinating to both critics and readers for its diversity, her seeming ability to eva... Read More about Marie Darrieussecq's textual worlds: self, society, language.

Ursula Vaughan Williams Song Project (performance portfolio)
Exhibition / Performance
Tsang, L. (n.d.). Ursula Vaughan Williams Song Project (performance portfolio). http://www.uymp.co.uk/

Tsang, L (producer, editor, singer). Ursula Vaughan Williams: In Memoriam. A concert of songs on UVW texts including new works by Thomas Simaku, Alastair Borthwick, Richard Tsang, Evis Sammoutis, George Christofi, Leonidas Sakellarides, Nathaniel Sea... Read More about Ursula Vaughan Williams Song Project (performance portfolio).

Practice as Research (PaR) project: The Suicide (Nikolai Erdman, translated by Peter Tegel). Including: DVD of performance, conference presentation, photographs  
Exhibition / Performance
Skinner, A. (n.d.). Practice as Research (PaR) project: The Suicide (Nikolai Erdman, translated by Peter Tegel). Including: DVD of performance, conference presentation, photographs  .

The Suicide is the first production of a three-part project (The Suicide 2012; The Cherry Orchard 2014; Aristocrats 2015) aiming to consider how scenographic decisions can encourage different sorts of engagement with historically and culturally dista... Read More about Practice as Research (PaR) project: The Suicide (Nikolai Erdman, translated by Peter Tegel). Including: DVD of performance, conference presentation, photographs  .