Outputs (190)

Nightports, 'Nightports w/ Matthew Bourne' (2018)
Digital Artefact
Slater, M., Martin, A., & Bourne, M. (2018). Nightports, 'Nightports w/ Matthew Bourne'. [https://nightports.bandcamp.com/album/nightports-w-matthew-bourne]

A 45-minute album exploring the concept of restriction in collaboration with pianist Matthew Bourne.

Liner notes (introduction):
Nightports is based on a simple but unbreakable rule of restriction: only sounds produced by the featured musician ca... Read More about Nightports, 'Nightports w/ Matthew Bourne'.

Book review: Shakespeare, music and Performance. Ed. by Bill Barclay and David Lindley (2018)
Journal Article
Wilson, C. R. (2018). Book review: Shakespeare, music and Performance. Ed. by Bill Barclay and David Lindley. Music and Letters, 99(1), 112-115. https://doi.org/10.1093/ml/gcy025

Reflection: Expressive freedoms in trumpet performance (2018)
Book Chapter
Desbruslais, S. (2018). Reflection: Expressive freedoms in trumpet performance. In D. Leech-Wilkinson, & H. M. Prior (Eds.), Music and shape (242-247). Oxford University Press

Music and Shape (2018)
Book
Leech-Wilkinson, D., & Prior, H. M. (Eds.). (2018). Music and Shape. Oxford University Press

Shape is a concept widely used in talk about music, helping musicians in many genres to rehearse, teach and think about what they do. What makes a concept from vision so invaluable to work in sound? Music & Shape reveals the many ways in which shape... Read More about Music and Shape.

The music and music theory of Paul Hindemith (2018)
Book
Desbruslais, S. (2018). The music and music theory of Paul Hindemith. Boydell & Brewer

The music theory of composer Paul Hindemith (1895-1963), originally entitled Unterweisung im Tonsatz, is well known, yet poorly understood. This book provides a critical engagement with Hindemith's Unterweisung, particularly concerning its relationsh... Read More about The music and music theory of Paul Hindemith.

Dialogue and Beyond: Communication and Interaction in Ensemble Performance (2017)
Book Chapter
King, E., & Gritten, A. (2017). Dialogue and Beyond: Communication and Interaction in Ensemble Performance. In J. Rink, H. Gaunt, & A. Williamon (Eds.), Musicians in the Making: Pathways to Creative Performance (306-321). Oxford University Press. https://doi.org/10.1093/acprof%3Aoso/9780199346677.001.0001

This chapter explores the nature of dialogue in ensemble music performance, interrogating the ways in which ‘communication’ and ‘interaction’ occur in the context of rehearsal and live performance of western art music. An expanded conceptual model is... Read More about Dialogue and Beyond: Communication and Interaction in Ensemble Performance.

Shape as understood by performing musicians (2017)
Book Chapter
Prior, H. Shape as understood by performing musicians. In Music and shape

Abstract Previous studies of performing musicians have examined performance preparation and its concomitant decision-making, as well as musical expression and some of the ways in which performers describe their expressive intentions, but studies of t... Read More about Shape as understood by performing musicians.

Cozarinsky's La guerre d'un seul homme and musical categories : (Re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically (2017)
Book Chapter
Binns, A. (2018). Cozarinsky's La guerre d'un seul homme and musical categories : (Re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically. In N. Attfield, & B. Winters (Eds.), Music, Modern Culture, and the Critical Ear. Routledge

The framing of music, especially that of the late nineteenth and early twentieth centuries, is bound up not only with the effects of the two World Wars that (dis)figured the period but also with the discourse on musical value and identity within whic... Read More about Cozarinsky's La guerre d'un seul homme and musical categories : (Re)-framing Pfitzner, Strauss, Schreker, and Schoenberg cinematically.

Functions of genre in metal and hardcore music (2017)
Thesis
Kennedy, L. F. Functions of genre in metal and hardcore music. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4220820

This thesis addresses various functions of genre in metal/hardcore music as a lens through which to study popular music in the twenty-first century. The thesis proposes that issues of genre are fundamental to understandings of popular music for all p... Read More about Functions of genre in metal and hardcore music.

Exploring the piano accompanist in western duo music ensembles : towards a conceptual framework of professional piano accompaniment practice (2017)
Thesis
Roussou, E. N. Exploring the piano accompanist in western duo music ensembles : towards a conceptual framework of professional piano accompaniment practice. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4220889

This thesis explores the phenomenon of the piano accompanist in Western art duo chamber ensembles, specifically the solo–accompaniment medium. Following a critical examination of relevant literature by practitioners and researchers where changing soc... Read More about Exploring the piano accompanist in western duo music ensembles : towards a conceptual framework of professional piano accompaniment practice.