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All Outputs (171)

National e-resources of Shakespeare translations in Europe: (Dis)assembling the black box (2019)
Journal Article
Cetera-Włodarczyk, A., Tronch, J., Drábek, P., Gaydin, B., Makarov, V., Montorfano, B., Soncini, S., & Zakharov, N. (2019). National e-resources of Shakespeare translations in Europe: (Dis)assembling the black box. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 99(1), 89-101. https://doi.org/10.1177/0184767819835567

© The Author(s) 2019. This article discusses the construction, operation and scholarly usefulness of electronic resources of Shakespeare translations. In particular, it offers an overview of several existing European digital resources of Shakespeare... Read More about National e-resources of Shakespeare translations in Europe: (Dis)assembling the black box.

Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity (2019)
Journal Article
Drábek, P. (2019). Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 99(1), 45-55. https://doi.org/10.1177/0184767819835551

© The Author(s) 2019. The concept of hybridity is profoundly ingrained in logocentric epistemologies that assert such cultural constructs as the unity of a text, authorship, ownership or an identity of sorts. This article aims at hybridity that takes... Read More about Shakespeare’s myriad-minded stage: Propositional spaces of cultural hybridity.

Visualising Process- Hofman’s 1926 Hamlet (2018)
Journal Article
Fergusson Baugh, C. (2018). Visualising Process- Hofman’s 1926 Hamlet. Theatralia, 21(2), 15-28. https://doi.org/10.5817/TY2018-2-2

The 1926 production of Hamlet is of particular significance in a range of contexts. It was Karel Hiller’s return production following a career hiatus occasioned by a devastating stroke in 1924 and marked the beginning of a more reflective stage of hi... Read More about Visualising Process- Hofman’s 1926 Hamlet.

Performers' Perspectives on "Feel" in Music (2018)
Book Chapter
King, E., & Waddington, C. (2018). Performers' Perspectives on "Feel" in Music. In N. Reyland, & R. Thumpson (Eds.), Music, analysis, and the body: Experiments, explorations, and embodiments. Peeters Publishers

This chapter explores the concept of 'feel' in relation to music performers in the Western art tradition.

Jazz and the Live Performance Event (2018)
Book Chapter
Elsdon, P. (2018). Jazz and the Live Performance Event. In R. Thumpston, & N. Reyland (Eds.), Music, analysis, and the body: experiments, explorations, and embodiments (209-224). Routledge

Czech and Slovak scenography for Shakespeare (2018)
Book
Havlíčková Kysová, Š., & Billing, C. (Eds.). (2018). Czech and Slovak scenography for Shakespeare. Masarykova univerzita = Masaryk University

This volume of essays examines the history of scenography for Shakespeare in Central Europe and explores theoretical models for understanding the space, place and performance of Shakespeare using phenomenology, Structuralist semiotics, sociologic... Read More about Czech and Slovak scenography for Shakespeare.

Editorial (2018)
Journal Article
Edinborough, C. (2018). Editorial. Theatre, Dance and Performance Training, 9(2), 139-141. https://doi.org/10.1080/19443927.2018.1475159

Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for immersive, interactive and participatory performance.

Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198 (2018)
Journal Article
Drábek, P. (2018). Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198. Early theatre, 21(1), 209-212. https://doi.org/10.12745/et.21.1.3540

A book review of Robert Henke. Poverty and Charity in Early Modern Theater and Performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198.

Using the method to be myself: adapting and appropriating historical training approaches for interactive performance (2018)
Journal Article
Edinborough, C. (2018). Using the method to be myself: adapting and appropriating historical training approaches for interactive performance. Theatre, Dance and Performance Training, 9(2), 174-188. https://doi.org/10.1080/19443927.2018.1453863

This article examines how notions of artistic truth and authenticity articulated by Konstantin Stanislavski and his followers might be adapted for use within interactive and immersive performance. Making connections between Stanislavski's aesthetics... Read More about Using the method to be myself: adapting and appropriating historical training approaches for interactive performance.

Book review: Two Books on Translation for the Stage (2018)
Journal Article
Drábek, P. (2018). Book review: Two Books on Translation for the Stage. Journal of Adaptation in Film and Performance, 11(1), 111-117. https://doi.org/10.1386/jafp.11.1.111_5

Two Books on Translation for the Stage
A book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED BY GERALDINE BRODIE AND EMMA COLE (2017)
London and New York: Routledge. 298 pp.,
and
THE TRANSLATOR ON STAGE, GERALDINE BRODIE (2018)
New York:... Read More about Book review: Two Books on Translation for the Stage.

Haptic insights: model making as historical methodology (2018)
Journal Article
Baugh, C. F. (2018). Haptic insights: model making as historical methodology. Theatre and performance design, 4(1-2), 83-100. https://doi.org/10.1080/23322551.2018.1464843

This article explores the value of digital reconstruction practice to the theatre historian in general but in particular the historian concerned with exploring visual histories offered by the areas of theatre design and architecture. It will articula... Read More about Haptic insights: model making as historical methodology.

From alchemy to Artaudian 'digital double' : a practical exploration in digital scenography (2018)
Thesis
Grimoldby, E. J. B. From alchemy to Artaudian 'digital double' : a practical exploration in digital scenography. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4221411

This research seeks to better understand the position of the contemporary stage phenomenon ‘The Digital Double’ within the theories of Antonin Artaud. This phenomenon can be defined as; the mediated form, or presence, of a physical performer, generat... Read More about From alchemy to Artaudian 'digital double' : a practical exploration in digital scenography.

Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation (2018)
Journal Article
Drabek, P. (2018). Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation. Shakespeare Studies -Columbia then Albuquerque-, 46, 35-46

In 1997, Stephen Greenblatt observed in his introduction to The Norton Shakespeare: “The fantastic diffusion and long life of Shakespeare’s works depends on their extraordinary malleability”. Two years later, Christy Desmet and Robert Sawyer publishe... Read More about Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation.

The rise of the citizen curator : participation as curation on the web (2017)
Thesis
O'Neill, R. The rise of the citizen curator : participation as curation on the web. (Thesis). University of Hull. https://hull-repository.worktribe.com/output/4220482

From jazz clubs to cheese plates, the term curation has become a signifier of the growing need to organise and prioritise the seemingly endless possibilities of the digital sphere. The issue addressed here is in the associated meanings of the word cu... Read More about The rise of the citizen curator : participation as curation on the web.

Metaphor, Mythology and Metonymy: Russian Scenography in the Yeltsin Era (2017)
Book Chapter
Skinner, A. (2017). Metaphor, Mythology and Metonymy: Russian Scenography in the Yeltsin Era. In A. Aronson (Ed.), The Routledge Companion to Scenography (435-443). Routledge. https://doi.org/10.4324/9781317422266-41

The complex, metaphorical scenographies that are seen in the work of Russian designers during the 1970s and 1980s are a clear legacy of the Soviet period, where the necessities of censorship led to the emergence of specific modes of expression. The m... Read More about Metaphor, Mythology and Metonymy: Russian Scenography in the Yeltsin Era.