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Outputs (487)

'Am I not an author?' Social class and the contemporary French novel (2018)
Journal Article
Chadderton, H. (2019). 'Am I not an author?' Social class and the contemporary French novel. Modern & contemporary France / ASM & CF, 27(3), 281-294. https://doi.org/10.1080/09639489.2018.1518319

While the term ‘working-class’ has fallen out of usage as the concept of class has lost its visibility and its power as a métarécit, this does not mean the issues that this term evokes have gone away. The hardship that comes of particular working liv... Read More about 'Am I not an author?' Social class and the contemporary French novel.

Who is Heinz Stielke? Questions of Identity in Michael Kann’s "Stielke, Heinz, fünfzehn" (2018)
Book Chapter
Ward, E. M. (2018). Who is Heinz Stielke? Questions of Identity in Michael Kann’s "Stielke, Heinz, fünfzehn". In S. Ehrig, M. Thomas, & D. Zell (Eds.), The GDR today: New interdisciplinary approaches to East German history, memory and culture (43-62). Peter Lang

Michael Kann’s debut film, Stielke, Heinz, fünfzehn [Stielke, Heinz, Fifteen] (1987), was supposed to signal the thematic, artistic and popular renewal of one of the core interests of East German cinema, the antifascist film. Yet upon release, the fi... Read More about Who is Heinz Stielke? Questions of Identity in Michael Kann’s "Stielke, Heinz, fünfzehn".

Hardcore horror cinema in the 21st century: Production, marketing and consumption (2018)
Book
Aston, J. (2018). Hardcore horror cinema in the 21st century: Production, marketing and consumption. McFarland

Hardcore Horror Cinema in the 21st Century represents the first scholarly book of its kind. It addresses the exemplars of hardcore horror which are Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Vale... Read More about Hardcore horror cinema in the 21st century: Production, marketing and consumption.

Transnational ‘Italian’ stardom: Lara saint paul and the performativity of race (2018)
Journal Article
Brioni, C., & Brioni, S. (2018). Transnational ‘Italian’ stardom: Lara saint paul and the performativity of race. Italian Studies, 73(4), 351-364. https://doi.org/10.1080/00751634.2018.1499844

This article aims to contribute to the debate about critical race studies in the Italian context – and especially in the 1960s and the 1970s – by focusing on the construction and negotiation of race in the career of the prominent Italian meticcia sin... Read More about Transnational ‘Italian’ stardom: Lara saint paul and the performativity of race.

Editorial (2018)
Journal Article
Edinborough, C. (2018). Editorial. Theatre, Dance and Performance Training, 9(2), 139-141. https://doi.org/10.1080/19443927.2018.1475159

Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for immersive, interactive and participatory performance.

Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198 (2018)
Journal Article
Drábek, P. (2018). Book review: Robert Henke. Poverty and charity in early modern theater and performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198. Early theatre, 21(1), 209-212. https://doi.org/10.12745/et.21.1.3540

A book review of Robert Henke. Poverty and Charity in Early Modern Theater and Performance. Iowa City: University of Iowa Press, 2015. Pp xiv, 198.

Using the method to be myself: adapting and appropriating historical training approaches for interactive performance (2018)
Journal Article
Edinborough, C. (2018). Using the method to be myself: adapting and appropriating historical training approaches for interactive performance. Theatre, Dance and Performance Training, 9(2), 174-188. https://doi.org/10.1080/19443927.2018.1453863

This article examines how notions of artistic truth and authenticity articulated by Konstantin Stanislavski and his followers might be adapted for use within interactive and immersive performance. Making connections between Stanislavski's aesthetics... Read More about Using the method to be myself: adapting and appropriating historical training approaches for interactive performance.

Dimensions of the Political and the Moral: A Framework of Comparing Junzi and Citizens (2018)
Journal Article
Wang, C. (2018). Dimensions of the Political and the Moral: A Framework of Comparing Junzi and Citizens. Sociological Review of China, 6(3), 25-38

“君子”与“公民”的比较直接关涉中国儒家政治文化（以“君子”为主体）与西方民主政治文化（以“公民”为主体）的关系问题。那么，如何比较“君子”与“公民”呢？本文以“政治法理性”与“道德伦理性”为分类标准，建构了一个分析框架。作者把君子分成“治理主体”和“道德主体”，把公民... Read More about Dimensions of the Political and the Moral: A Framework of Comparing Junzi and Citizens.

Book review: Two Books on Translation for the Stage (2018)
Journal Article
Drábek, P. (2018). Book review: Two Books on Translation for the Stage. Journal of Adaptation in Film and Performance, 11(1), 111-117. https://doi.org/10.1386/jafp.11.1.111_5

Two Books on Translation for the Stage
A book review of: ADAPTING TRANSLATION FOR THE STAGE. EDITED BY GERALDINE BRODIE AND EMMA COLE (2017)
London and New York: Routledge. 298 pp.,
and
THE TRANSLATOR ON STAGE, GERALDINE BRODIE (2018)
New York:... Read More about Book review: Two Books on Translation for the Stage.

Haptic insights: model making as historical methodology (2018)
Journal Article
Baugh, C. F. (2018). Haptic insights: model making as historical methodology. Theatre and performance design, 4(1-2), 83-100. https://doi.org/10.1080/23322551.2018.1464843

This article explores the value of digital reconstruction practice to the theatre historian in general but in particular the historian concerned with exploring visual histories offered by the areas of theatre design and architecture. It will articula... Read More about Haptic insights: model making as historical methodology.

Nightports, 'Nightports w/ Matthew Bourne' (2018)
Digital Artefact
Slater, M., Martin, A., & Bourne, M. (2018). Nightports, 'Nightports w/ Matthew Bourne'. [https://nightports.bandcamp.com/album/nightports-w-matthew-bourne]

A 45-minute album exploring the concept of restriction in collaboration with pianist Matthew Bourne.

Liner notes (introduction):
Nightports is based on a simple but unbreakable rule of restriction: only sounds produced by the featured musician ca... Read More about Nightports, 'Nightports w/ Matthew Bourne'.

Music and Shape (2018)
Book
Leech-Wilkinson, D., & Prior, H. M. (Eds.). (2018). Music and Shape. Oxford University Press

Shape is a concept widely used in talk about music, helping musicians in many genres to rehearse, teach and think about what they do. What makes a concept from vision so invaluable to work in sound? Music & Shape reveals the many ways in which shape... Read More about Music and Shape.

Considerations on using mindful listening in advising for language learning: a micro study (2018)
Journal Article
Mozzon McPherson, M. (2018). Considerations on using mindful listening in advising for language learning: a micro study. Zeitschrift für Fremdsprachenforschung, 28(2), 159-179

Aktives Zuhören (mindful listening) gilt als eine der wichtigsten Gesprächstechniken, von denen die Qualität einer Sprachlernberatung in entscheidendem Maße abhängen kann. Von
Sprachlernberatenden wird erwartet, dass sie den Aussagen der Ratsuchende... Read More about Considerations on using mindful listening in advising for language learning: a micro study.

Re-thinking technology and its growing role in enabling patient empowerment (2018)
Journal Article
Akeel, A. U., & Mundy, D. (2019). Re-thinking technology and its growing role in enabling patient empowerment. Health Informatics Journal, 25(4), 1278-1289. https://doi.org/10.1177/1460458217751013

© The Author(s) 2018. The presence and increase of challenges to eHealth in today’s society have begun to generate doubts about the capability of technology in patient empowerment, especially within the frameworks supporting empowerment. Through the... Read More about Re-thinking technology and its growing role in enabling patient empowerment.

Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation (2018)
Journal Article
Drabek, P. (2018). Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation. Shakespeare Studies -Columbia then Albuquerque-, 46, 35-46

In 1997, Stephen Greenblatt observed in his introduction to The Norton Shakespeare: “The fantastic diffusion and long life of Shakespeare’s works depends on their extraordinary malleability”. Two years later, Christy Desmet and Robert Sawyer publishe... Read More about Shakespeare's myriad-minded stage as a transnational forum: Openness and plurality in drama translation.